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The difference is that it lists all 14 of those images that we'll be stitching together. Here inside Bridge, what you want do is press control A, or command A on the Mac, in order to select all of the images and then you want to go up to the tools menu, choose Photoshop, and choose photo merge, and that's going to take you back to Photoshop at which point the program goes ahead and loads that exact same dialogue box. Nor do we have any vignetting and that way the images can be easily stitched together. And that just ensures we don't have any barrel distortion or pin-cushioning from one image to the next. Now I want you to know these images started off as raw photographs and that I went ahead and corrected the lens distortion inside Camera Raw as we discussed way back in Chapter 27 of the advanced course. Alright, so I'll just go ahead and escape out. I am working strictly hand-held, which is ultimately going to work out just fine. I have not, however, tripoded these shots. I also want you to see that I'm maintaining a common horizon so that I'm not allowing the camera to bounce up and down. And you want to keep shooting the photographs well past the point that you need them so you have a lot of wiggle room on either side. In my case, they overlap by more than that, which is going to work out just fine. Then you want to take a bunch of shots that overlap each other by at least a third. That way the perspective of the shot isn't going to change. So my feet are positioned straight forward here, and then I turn my body all the way over to the left, like so, and of course you can start on the left or the right, it doesn't matter but you do want to twist your body so that you're maintaining a common frame of reference. Now note that I am turning the camera as I am shooting all of these photographs.
#Photomerge photoshop cc full
Notice that I have 14 photographs in all and so I'll just go ahead and select the first one and press the space bar in order to enter the full screen preview mode.
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One of the advantages of Bridge is that it allows us to preview the images. You can also work with your own photographs, of course, but the way I prefer to work, I'll go ahead and cancel out here, is to go to the file menu and choose browse and bridge, which is going to take you to Adobe Bridge, assuming that you've installed it using the creative cloud utility. If you're working along with me, locate the images inside this subfolder right there. One is to go up to the file menu, choose automate, and then choose this final command: photo merge. Alright, so there's two different ways to create a panorama. So if you're working with your own high resolution raw photographs, just know that you're composition is going to be even larger depending on whether you decide to work with smart objects as I am or not. But even so, this particular composition weighs in at 200 megabytes on disc, and we generally avoid providing exercise files that are that large. That's because we're ultimately working with half-size versions of the original raw photographs. And so notice if I go up to the image menu and choose the image size command, that at a resolution of 267 pixels per inch, the image measures about 12 inches wide. Now, even though I'm telling you that you can create some very big images indeed by stitching multiple photographs together to create a panorama, this particular image isn't all that big. Alright, we're going to start things off by creating this panorama here, which is based on some photographs that I captured over a rice field in Bali, Indonesia.